Radio Salone

Yo Voy agosto 09, 2020

Novalima - Coba Coba - 2008

The music of Novalima is born from the primary influences of Afro-Peruvian rhythms and melodies with dub reggae, electronic and Latinbeats, creating a mixture of ancient tradition and modern trends that attracts both fans of world music and dance music, forging a point meeting between the past and the future.

Novalima is a musical collective that was born in 2001 from the production of four musicians living in different corners of the world: Ramón Pérez Prieto (Lima), Grimaldo Del Solar (Barcelona), Rafael Morales (London) and Carlos Li Carrillo (Hong Kong ), which take care of the sequences, keyboards, guitar and bass, respectively. Artists from the Afro-Peruvian scene such as Milagros Guerrero con la voz; Juan Medrano Cotito and Marcos Mosquera with cajon and voice, and Constantino Álvarez with timbales and cajon.

His second album Afro (2005) achieved excellent reviews from the specialized press and the European public, obtaining the IMA Award (Independent Music Awards) for Best Album in the World Fusion category. Additionally, twelve of their thirteen songs made it into the "Top Ten" of the World Music rankings in the United States and Canada in 2006.

Coba Coba, his third album, was released to the Peruvian market in October 2008, and worldwide by the Cumbancha label in January 2009, being nominated for the Latin Grammy as Best Alternative Album. Musically, the album covers a broader spectrum of styles than Afro, since in addition to Novalima's characteristic afro-dub sound, there is a lot of influence from styles such as reggae, salsa, son, reggaeton, afrofunk and hip hop, and the songs reflect more accurately the live sound of the band. The result: a rich musical repertoire, inherited from that which has existed for generations on the periphery of Peruvian popular culture.

Trackslist:

01. Concheperla

02. Libertá

03. Se me van

04. Ruperta / Puede ser

05. Africa Landó

06. Coba Guarango

07. Camute

08. Mujer ajena

09. Tumbala

10. Kumaná

11. Bomba

12. Yo voy

13. Bolero

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The regents agosto 08, 2020

Soul Classics 2 - 28 Greatest Soul Hits - 1992

North American black music is one of the most powerful, fastest, and most resilient engines in popular music. For something like fifty years, soul, rythm and blues and funk have constantly nurtured and nurtured the creativity and inspiration of singers, artists and songwriters around the world although, only in the recent decade, has wanted musical history recognize that it is so.

This selection is an interesting collection of some of the best voices and songs of the Soul Era, compiled by Dro in 1992, as a continuation of his wonderful Soul Classics (1991) edition, songs ripped from the original edition on LPs.

With one foot in the church, another in the streets of the ghetto, and a name that comes from jazz, soul is a genre that signifies richness, versatility and variety. Sentimental, avant-garde, vindictive, aggressive, sensual, traditional, danceable: soul music is here to stay.

Tracks list:

01. Percy Sledge - (Sittin´ On) The Dock Of The Bay

02. The Dells - Oh, What A Night

03. Jerry Butler - Only The Strong Survive

04. Eddie Floyd - Bring It On Home To Me

05. Bruce Channel - Hey! Baby

06. Ben E. King - Spanish Harlem

07. Bobby Womack - Lookin´ For A Love

08. The Regents - Barbara Ann

09. The Crystals - Da Doo Ron Ron

10. Martha Reeves - Heat Wave (Love Is Like A)

11. Peggy Scott &Jojo Benson - Lover´s Holiday

12. The Shirelles - Dedicated To The One I Love

13. The Exciters - Tell Him

14. Archie Bell &TheDrells - I Just Can´t Stop Dancing

15. Brenton Wood - The CogumBoogum Song

16. Etta James - At Last

17. Sam & Dave - Hold On I´m Coming

18. Harold Melvin &TheBluenotes - The Love I Lost

19. R. B, Greaves - (Your Love Keeps Lifting Me) Higher AndHiguer

20. The Coasters - Poison Ivy

21. George McCrae - Rock Your Baby

22. The Impressions - Amen

23. Edwin Hawkins Singers - Oh Happy Day

24. The Drifters - On Broadway

25. Joe Simon - You Just Keep Me Hangin´ On

26. Little Anthony &The Imperials - Goin´ Out Of My Head

27. Brook Benton - It´s Just A Matter Of Time

28. Ben E. King - I (Who Have Nothing)

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Tell Himm agosto 07, 2020

CLÁSICOS CONTEMPORÁNEOS INTERNACIONALES - AÑOS 60 - VIII

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Yo-mala agosto 07, 2020

Nass Marrakech - Sabil 'a 'Salaam - 2000

With the intention of interpreting in a respectful but at the same time current tradition of the Gnawa people, in 1991 the Nass Marrakech group was born. Nass Marrakech investigates, since its foundation, the Gnawa heritage: a music based on the repetition of overlapping rhythmic forms and on typically African "call and response" chants. A music that is at the same time popular and sacred, which is directly connected with the other black-African musics (blues, gospel, yoruba songs, samba, etc.), as well as taking new paths, in directions such as jazz or the most avant-garde electronic music, without being tempted by the fusion with pop. Retrieving original texts on the Gnawa rhythm and color, the group creates its own themes on current issues such as racism, peace and ecology.

His first two works emerge from this work, Sabil 'a' Salaam (2000) and Bouderbala (2002), in which they mix the sounds of instruments from Central Africa (djembes, sabar) with the mandolin, Indian tabla, bendir, karkaba and the lute. Magical and fascinating.

Trackslist:

01. Ana, Anta

02. Yo-mala

03. Salaam Aleikum

04. Marhaba

05. Allah

06. Hamdushi

07. Shema

08. Hammeadi

09. Torkalila

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Via con me agosto 02, 2020

KORA JAZZ TRIO - PART IV - 2018

Despite the evident historical links between jazz and traditional African music, few projects manage to merge these musics .... A pioneer of the genre, the Kora Jazz Trio returns with a sixth album created by the eclectic Eric Legnini.

This sublimates the compositions of the pianist Abdoulaye Diabaté, as well as the beautiful interpretations of the standards that are Via Conme by Paolo Conté, Sodade immortalized by Cesaria Evora and Moanin 'of the Jazz Messengers of Art Blakey.

For this Part IV of the Kora Jazz Trio, the Kora has been entrusted to all the usual musical gatherings: Cherif Soumano (Dee Dee Bridgewater, Tiken Jah Fakoli, World Kora trio, ...) and to improve the repertoire add according to the songs, the song of WozKali, the double bass by Manu Marches, the percussion by Boris Caicedo, the balafon by Adama Condé and the guitar by Hervé Morisot (Sodade).

01. DJANFFA (Chérif Soumano) 3’46

02. SIRAGNAN – FAIN (Abdoulaye Diabaté) 4’21

03. VIA CON ME (Paolo Conte) 3’46

04. FAYDA (Abdoulaye Diabaté, WozKali) 6’03

05. BOURAMA (Abdoulaye Diabaté) 4’38

06. MOANIN’ (Bobby Timmons) 4’33

07. KEBA – DJITO (Abdoulaye Diabaté) 4’36

08. SODADE (Luis Morais) 6’23

09. ALA – LAKO (Abdoulaye Diabaté) 4’58

10. KORA YA ME VOY (Abdoulaye Diabaté) 5’41

11. MITOHA SONG (Abdoulaye Diabaté) 4’50

ABDOULAYE DIABATÉ – Piano, composition, arrangements

CHERIF SOUMANO – Kora

MOUSSA SISSOKHO – Congos, bongo, calebasse, cymbales, tama

MANU MARCHES – Contrebasse

ADAMA CONDE – Balafon

BORIS CAICEDO – Timbales, shaker, bongo, chekeré, cloche, claves

WOZ KALI – Vocal (04)

HERVÉ MORISOT – Guitare (08)

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Zavavy julio 31, 2020

Rajery - Volontany - 2004

Germain Randrianarisoa, Rajery, is a magnificent musician, one of the most respected on the African continent, not only for the excellence of his music but also for his commitment to the various problems of his country, which he often criticizes in his songs, and for his strives to preserve indigenous cultural traditions.

Nicknamed "the prince of the valiha" in Madagascar (an instrument of which Rajery has become a true virtuoso, despite missing the fingers of his right hand), he presents in Volontany ("the color of theground", 2004) his compositions inspired by traditional music from the highlands of Madagascar (a country with a rich musical heritage, where each region has its own musical identity). Supported by a quartet, with skillful spurs towards jazz by using the voices in a similar way to melodic instruments, his music takes on an international flavor in his fusion of styles, addressing social issues, denouncing the situation of poverty experienced by the childhood of his country and conveying respect for their cultural heritage.

Trackslist:

01. Mangina Zaza

02. Tsikirilem

03. ToroyLalana

04. Mifankatiava

05. Mahafinaritra

06. TsyMenatra

07. Marodona

08. Zavavy

09. Viavy

10. Veloma

11. MihodinaNyTany

12. Hafatra

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Yele n Na julio 29, 2020

Salif Keita - Amen - 1991

Salif Keita, considered Mali's "golden voice", began to be recognized internationally, after the appearance of Soro, a brilliant fusion of Mali's traditional rhythms with modern technology while maintaining a general Islamic style. . Amen is edited in 1991, with the production of Joe Zawinul and the participation, among others, of Carlos Santana (guitar), Wayne Shorter (sax), Bill Summers (percussion) and musicians from Mali and France.

The songs included on the LP address issues like the political struggle for democracy in West Africa in the song "Waraya", but we also find love songs like "Yele n Na", and songs that address social issues like "Karifa" (a beautiful vindication of the dignity of the immigrant). Throughout the album, producer Joe Zawinul harmoniously reconciles Keita's vocals with wind arrangements and the technical mastery of fusion jazz. This recording brought Keita a Grammy nomination that year.

Tracks list:

01. Yele n Na

02. Waraya

03. Tono

04. Kuma

05. Nyanafin

06. Karifa

07. N B´I Fe

08. Lony

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Zinha julio 25, 2020

Cesária Évora - Nha Sentimento - 2009

Cesária Évora, born on the island of São Vicente (Cape Verde), is known by the nickname "la reina de la morna", for having made her known internationally, and as "the diva of bare feet" due to her habit of presenting herself barefoot on stage, in solidarity with the homeless and the children and poor women of her country.

La Morna is a Cape Verdean genre of music related to Portuguese fado, Brazilian modinha, Argentine tango and Angolan lament. The compositions are sung, as a general rule, in the Creole language of Cape Verde and among the instruments the cavaquinho, clarinet, accordion, violin, piano and guitar are usually used. Compared to blues, there are interesting similarities and significant cultural connections between these two musical genres.

Cesária Évora was made known with the work Miss Perfumado, which in 1992 became a bestseller. In all its records, African American culture, especially from Cuba and Brazil, is reunited with its original roots, as if it were a trip, integrating and uniting the soul of black music from around the world.

In Nhasentimento, the queen of the morna returns to work with Teófilo Chantré, composer of most of the songs on the album. Producer José da Silva had the idea to merge this Cape Verdean style with Arabian tones, including the string arrangements by the Egyptian Fathy Salamam, who conducted the Cairo Orchestra, on the three album days: "Vento de sueste", " Sentiment "and" Mam'Bia É So Mi ". But the most explicit tribute to her country is the song composed by Luis Pastor and translated by Chantre, "Verde Cabo di Nhas Odjos", in which Évora sings "I want to die in your fields and live in your songs". This album, Nha Sentimento, with European influence, oriental touches, African presence and Caribbean memories, reminds us that the beautiful islands of Cape Verde are at the crossroads of three rich continents of multiple cultures and that Cesária Évora is already an international ambassador for mestizo music.

Trackslist:

01. Serpentina

02. Verde Cabo di Nhas Odjos

03. Vento de Sueste

04. Ligereza

05. Zinha

06. Fatalidade

07. Esperança di Mar Azul

08. Sentimento

09. Tchôm Frio

10. Noiva de Ceu

11. Holandesa Co Certeza

12. RespostaMenininhas de Monte Sossego

13. Mam'Bia É So Mi

14. Parceria E Irmandade

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Tambou dan tchenou julio 21, 2020

Caribbean Playground - 2004

CaribbeanPlayground is one of the best compilations of the “Putumayo Kids” collection, constituting an extraordinary journey through the rich interculturality of the Caribbean.

Caribbean music comes from the mix of native, European, African and other cultures that have lived in the region. Like food, music is full of flavors that combine local ingredients with influences from other places. French, Spanish and English are some of the languages spoken in the Caribbean, as well as Creole and Patois, which combine European and African languages.

The "journey" begins in Jamaica, home to reggae and other styles such as mento and ska. It stops in Martinique and Guadalupe, the birthplace of zouk music, a danceable, rhythmic and fun style, very popular throughout the Caribbean. Haiti, with a great cultural wealth, is another country to visit. There, the African influence is very strong and, among its different types of music, we can highlight some such as compas, rare and twoudabadou.

Puerto Rico, one of the three Spanish-speaking islands of the Caribbean along with Cuba and the Dominican Republic, is also the nerve center of salsa. Their traditional music includes styles of African influence like the bomba and the Plena. On the other hand, Trinidad is the birthplace of the calypso, the soca and of an Indian-influenced dance genre called chutney. The calypso is a kind of musical newspaper dealing with the lyrics of the songs, about daily life, current affairs and politics, generally in a fun way. The steel drum (steeldrum) is a musical instrument invented in Trinidad and made from barrels of oil.

In short, a very well selected and documented material (as Putumayo is accustomed), ideal to enter and enjoy the music of this wonderful land.

Tracks list:

01. Taj Mahal & The Hula Blues - Great Big Boat (blues-folk USA)

02. Desmond Dekker - Jamaica Farewell (ska Jamaica)

03. Kali - Tambou Dan TcheNou (tradicional Martinica)

04. Keith Frank and the Soileau Zydeco Band - Three Little Birds (zydeco USA)

05. Karl Zero & the Wailers - Coconut Woman (calypso Jamaica)

06. Marlene Dorcena - Panama (tradicional Haití)

07. Asheba - Little Anancy (calypso Trinidad)

08. José González y Banda Criolla - Bomba Te Traigo Yo (bomba Puerto Rico)

09. Lole-Lolay - Pa ´PiyeSou Do M´ (twoubadouHaití)

10. MissionIriez - Reggae Dancin´ (reggae Tonga/Jamaica)

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The Mozdok's train julio 16, 2020

Anouar Brahem Trio - Astrakan café - 2000

Astrakan café (2000) is an exceptional work of fluidity between the soft lute of the Tunisian composer Anouar Brahem, the percussion of the darbuka or the bendir of Lassad Hosni and the clarinet of Barbaros Erköse.

The result is that of a particular and relaxing sound, mystical (perhaps because it was recorded in the St. Gerold Monastery in Austria) but, above all, Arabic (there are versions of classics from the Ottoman Arab tradition), North African and Mediterranean ( visit the indissoluble fusion between Iberian and Maghrebi culture), and also influenced by jazz, with numerous instrumental solos, but without ever breaking the rhythmic and melodic line. Ideal to taste with a good Moorish tea.

Trackslist:

01. Aube rouge à Grozny

02. Astrakan café

03. The Mozdok´s train

04. Blue jewels

05. NihawendLunga

06. Ashkabad

07. Halfouine

08. Parfum de gitane

09. Khotan

10. Karakoum

11. Astara

12. Dar es Salam

13. Hijazpechref

14. Astrakan café (2)

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Waltz julio 11, 2020

Wally Badarou - Echoes - 1984

Badarou manages to create in “Echoes” a sophisticated synthesis, halfway between the danceable and enjoyable at rest, between the growing Dub experiments oriented to the Club (Larry Levan, Walter Gibbons and others would be influenced and really passionate about the magnificent “Chef Inspector ”), The tropical airs that arose from the mythical studio at Compass Point in Bahamas (where the Compass Point AllStars of Chris, owner, Island owner, resided with Sly And Robbie or Barry Reynolds together with Badarou, who programmed productions and instrumental section for titans like Herbie Hancock, Grace Jones, Spandau Ballet or Talking Heads, among many others) and experimentation with synthesizers like the Moog. The slow yet meandering beats, the refreshing combination of gentle melodies, and its environmental and ethnic resources created an archetype in itself.

Wally Badarou (vocals, piano, guitar, tambourine, mini moog, prophet 5, linn drum, synclavier)

Rebop Kwaku Baah (congas)

Kristina Bengtsson, Genevive Aucer, Andy Lyden, Frankie Gibson, The Gambier School Children (background vocals)

1. Keys, 2:20

2. Hi-Life, 4:42

3. Mambo, 4:57

4. Voices, 3:20

5. Canyons, 3:26

6. Endless Race, 3:41

7. Chief Inspector, 5:58

8. Waltz, 3:43

9. Jungle, 4:58

10. Rain, 3:01

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wouya larana julio 02, 2020

Bako Dagnon - Sidiba - 2009

Mali has a very rich musical heritage. And Bako Dagnon is one of his living legends, in which it is not difficult to recognize the origin of the Africanity of the Cuban son, cumbia and many of the melodies that have been developed throughout Latin America.

After 35 years of career, Titati (2007) was her discovery to the world, a work that consecrates her among the great African artists. At Titati we can listen to 12 impeccable songs that show the tradition of the Mandingo culture of which Bako Dagnon is a great representative, a production based on respect for the unmistakable acoustic sounds of guitars, flutes, string arrangements with Arabian airs, some precious women's choirs, a double bass and a djembe. But the powerful and fine-tuned voice of Bako Dagnon is the true protagonist of the album, resulting in that magical atmosphere that great masterpieces have. The freshness that exudes the entire work is perhaps due to the direct recording technique, so used in Africa, with all the musicians in the studio at the same time.

In Sidiba (2009), a continuation of Titati, the stories told are of oral tradition, passed down from generation to generation through the griots. Both Titati and Sidiba give us the unique opportunity to get to know intimately the original melodies that are heard inside any Malian house. A precious work.

Trackslist:

01. WouyaLarana

02. N'Ouhoumba

03. M'Ba

04. Le Guide De La Révolution

05. Sidi Ba

06. Badjigui

07. Tiga

08. Alpha Yaya

09. Kônô

10. FadeenTô

11. BèBéBorii No Fè

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nayzak junio 29, 2020

Anouar Brahem - Conte de L'incroyable Amour - 1992

In October 1991 Anouar Brahem recorded his second album for ECM, Conte de L'incroyable Amour. And although this album and its predecessor still have a typical traditional atmosphere, we can already see the different musical directions that our oud master could take. Anouar in his youth was not limited to listening to Arab music, he did not hesitate to explore other parts of traditional music: from the Mediterranean, to the most remote, on the border of Iran and India. For this work Anouar Brahem hired the services of the Turkish musician Kudsi Erguner Sufi teacher of the Mevlevi Emeritus flute player of the nai instrument traditionally used in trance ceremonies for dancing dervishes. Another Erguner compatriot, clarinetist Barbaros Erkose and again Tunisian Lassad Hosni on percussion (darbuka and bendir).

AnouarBrahem: oud

BarbarosErköse: clarinet

KudsiErguner: nai

Lassad Hosni: bendir, darbouka

Etincelles

Le chien sur les genoux de la devineresse

L'oiseau de bois

Lumière du silence

Conte de l'incroyable amour

PeshrevHidjazHomayoun

Diversion

Nayzak

Battements

En souvenird'Iram

Iramretrouvée

Epilogue

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yes junio 28, 2020

Calypso - Vintage Songs From the Caribbean - 2002

Calypso (2002) is a Putumayo collection that includes Calypso classics and popular songs from the golden era of Caribbean music.

In the 1950s, calypso and other Caribbean folk styles had international repercussions, after the release of "Calypso" by Harry Belafonte in 1956, one of the best-selling records in history. From then on, artists from Barbados, Trinidad, the Bahamas, Jamaica and other Caribbean islands became interested in this new audience. Thus, the rhythms, catchy melodies and double meaning lyrics of Caribbean music reached millions of North American homes.

This album brings us a selection of classics from the legendary ART Records, as well as other gems from various periods of Caribbean musical history. Calypso goes back half a century, to a romantic era that seemed to have been lost in time.

Tracks list:

01. Don't Touch Me Tomato - George Symonette - Bahamas

02. Yes, Yes, Yes - Calypso Mama - Bahamas

03. Take Me Back To Jamaica - The Jolly Boys - Jamaica

04. Crazy Like Mad - Leslie Scott & Irene Williams - Bahamas

05. Peas And Rice - Blind Blake And His Royal Victorians - Bahamas

06. Linstead Market - Lord Composer - Jamaica

07. No More Rocking And Rolling - King Sparrow - Grenada

08. Goombay Drum - The Percentie Brothers - Bahamas

09. Fed-A-Ray - Lord Beginner - Trinidad

10. Kim - Lord Shorty - Trinidad

11. Little Nassau/Bahama Mama - Andre Toussaint – Haiti/Bahamas

12. Barbados Carnival - Mighty Panther - Trinidad

13. J.P. Morgan - The Percentie Brothers - Bahamas

14. The Limbo Song - Frankie Anderson - Bahamas

15. It's Always Springtime In Nassau - Delbon Johnson - Bahamas

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Novalima - Coba Coba - 2008

Soul Classics 2 - 28 Greatest Soul Hits - 1992

CLÁSICOS CONTEMPORÁNEOS INTERNACIONALES - AÑOS 60 - VIII

Nass Marrakech - Sabil 'a 'Salaam - 2000

KORA JAZZ TRIO - PART IV - 2018

CLÁSICOS CONTEMPORÁNEOS INTERNACIONALES - AÑOS 60 - VII

Rajery - Volontany - 2004

Salif Keita - Amen - 1991

Cesária Évora - Nha Sentimento - 2009

Caribbean Playground - 2004

Anouar Brahem Trio - Astrakan café - 2000

Wally Badarou - Echoes - 1984

Bako Dagnon - Sidiba - 2009

Anouar Brahem - Conte de L'incroyable Amour - 1992

Calypso - Vintage Songs From the Caribbean - 2002

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