Radio Salone

Tahabort octubre 19, 2021

Imarhan - Imarhan - 2016 - Argelia

Newcomers to the independent scene, the first album of the Tuareg group IMARHAN is produced by Eyadou Ej Leche Tinariwen to whom they have as little protégés.

Between traditional Tuareg music, desert funk, blues and psychedelics from the sun, IMARHAN was one of the revelations of the last Rennes Transmusicales.

Kurt Vile invited them to play on the first part of his European tour, Howe Gelb and Steve Shelley from Sonic Youth are fans.

The evidence that the group breaks the boundaries. Dancing like 70s funk, like deep and dense Americans like Tinariwen, psychedelic like 13th Floor Elevators, IMARHAN will haunt you.

IMARHAN is the group that will love indie world music, the group that will make the world love rock lovers.

Tracklisting

1. Tarha Tadagh

2. Tahabort

3. Ibas Ichikkou

4. Idarchan Net

5. Assossamagh

6. Imarhan

7. Addounia Azdjazzaqat

8. Id Islegh

9. Arodj N-Inizdjam

10. Alwak

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Weeping Pirates octubre 17, 2021

Groundation - Hebron Gate - 2002 - USA

Groundation is a Californian band that has a modern reggae sound. The band's mission is to integrate the modern sound of this century with the roots reggae sensibility that was played in the past. " Stephen Davis, Author It is said that if you don't know your past, you won't know the future; Well, Groundation knows the past and is walking into the future, They capture the essence of true roots reggae and fuse it with Jazz and dub to elevate the genre to a new platform. National critics and the world's press praise his records and place Groundation among the most respected reggae bands in the world. Groundation was formed in the Jazz program on the Sonoma University campus in 1998, by Marcus Urani. (Piano / Keyboards / Organ), Ryan Newman (Bass) & Harrison Stafford (Vocals / Guitar). In 2000, David Chachere, a jazz trumpeter from San Francisco and Kelsey Howard, a trombonist from North Bay, joined, in 2003 the percussionist Mingo Lewis Jr. (son of the legendary percussionist from Santana Mingo Lewis), the Jamaican choristers Kim. Pommell & Stephanie Wallace join in 2004; the latest addition was jazz / fusion drummer Te Kanawa Haereiti, in July 2008, replacing “Papa” Paul Spina (Les Claypool, Motherbug). The Groundation sound can be described as an organic fusion of Roots Reggae and Funk / Jazz fusion with dub. The seeds of this progressive sound have been planted all over the world and today they are bearing fruit, since his first tour of Europe in 2004, Groundation has played in more than 30 countries on 4 continents, such as Poland, Greece, Brazil. and Israel. They have headlined festivals such as the Nice Jazz Fest (France), Summerjam (Germany), Rototom Sunsplash (Italy), The Cactus Festival (Belgium) and The Papa Kiki Festival (New Caledonia). His last tour in Europe reached a new record, filling with 6000 people Le Zenith, in Paris.

Marcus Urani (Piano / Keyboards / Organ)

Ryan Newman (Bass)

Harrison Stafford (Vocals / Guitar).

David Chachere: Trumpet Kelsey Howard: Trombone Mingo Lewis Jr .: Percussion

1 - Jah Jah Know

2 - Babylon Rule Dem

3 - Silver Tongue Show

4 - Weeping Pirates

5 - Picture On The Wall

6 - Something More

7 - Hebron

8 - Freedom Taking Over

9 - Undivided

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Wakaru octubre 10, 2021

Dj Dolores - 1 Real - 2008

DJ Dolores shows that in Brazil there is an astonishingly rich world beyond samba and bossa nova. The use of elements of popular music from the northeast of Brazil, mixed with electronic music, rock and dub influences, forms the stamp of DJ Dolores, the artistic name of Helder Aragão. His career began in the city of Recife at the end of the eighties. Until then he had been a documentary producer and graphic designer, but in the last four years Dolores has taken a step forward producing his own music from Recife's enormous harmonic and rhythmic legacy.

His style was evident in his first remixes for artists such as Gilberto Gil or Fernanda Porto.

In 1 Real, his last work to date, he combines traditional rhythms such as forró (a mixture of local rhythms that incorporates the European accordion, harmonica and zabumba of African origin), electric guitars, rhythm machines and computer programming . He recovers the music of the Jovem Guarda (Brazilian rock from the 60s) and pieces by musicians from the eighties such as Cadão Volpato, leader of the cult band Fellini. In "Danger Global Warming" he has the collaboration of ex-Stranglers Hugh Cornwell, as well as The Blacksmoke Organization.

trackslist:

01. Deixa Falar

02. Tocando o Terror

03. Cala Cala

04. Proletariado

05. Wakaru

06. Shakespeare

07. J.P.S.

08. Flying Horse

09. Números

10. Mutant Child (Run, Run, Run)

11. Saudade

12. The Mind Inspector

13. Danger Global Warming (The Blacksmoke Organisation)

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Tu serás mi baby octubre 08, 2021

Hermanas Benitez - Todos Sus Exitos En España en Discos Discophon - 1964 - 1967

01.Hermanas Benitez - America (2:28)

02.Hermanas Benitez - Nada, Nada (2:25)

03.Hermanas Benitez - Sole, Pizza E Amore (2:52)

04.Hermanas Benitez - Nadie (2:26)

05.Hermanas Benitez - Un Beso Pequenisimo (2:38)

06.Hermanas Benitez - Torero (2:42)

07.Hermanas Benitez - Ju-Bi-Ju (1:56)

08.Hermanas Benitez - Fuera Pena (2:51)

09.Hermanas Benitez - El Patito (2:18)

10.Hermanas Benitez - El Vendedor De Melones (2:56)

11.Hermanas Benitez - Baila Ye-Ye (2:05)

12.Hermanas Benitez - Su Forma De Besar (2:06)

13.Hermanas Benitez - La Mascara (2:34)

14.Hermanas Benitez - Quiero Un Marido (2:06)

15.Hermanas Benitez - Buenos Dias, Acapulco (2:28)

16.Hermanas Benitez - T? Ser?s Mi Baby (2:09)

17.Hermanas Benitez - Chao, Chao (3:17)

18.Hermanas Benitez - Muneca De Cera (2:25)

19.Hermanas Benitez - Al Compas De La Yenka (1:56)

20.Hermanas Benitez - Cu-Cu-Rru-Cu-Cu Paaloma (3:21)

21.Hnas. Benitez - America (2:14)

22.Hnas. Benitez - Nada,Nada (2:12)

23.Hnas. Benitez - Sole ,Piza E Amore (2:15)

24.Hnas. Benitez - Nadie (2:29)

25.Hnas. Benitez - Un Beso Pequenisimo (2:25)

26.Hnas. Benitez - Torero (3:09)

27.Hnas. Benitez - Ju-Bi-Ju (2:06)

28.Hnas. Benitez - Fuera Pena (2:41)

29.Hnas. Benitez - El Patito (1:56)

30.Hnas. Benitez - El Vendedor De Melones (3:06)

31.Hnas. Benitez - Baila Yeye (1:55)

32.Hnas. Benitez - Su Forma De Besar (2:31)

33.Hnas. Benitez - La Mascara (3:42)

34.Hnas. Benitez - Quiero Un Marido (3:01)

35.Hnas. Benitez - Pata Pata (3:00)

36.Hnas. Benitez - Tu Seras Mi Baby (2:39)

37.Hnas. Benitez - Chao Chao (1:57)

Fuente: https://melomanchik.blogspot.com/2021/07/hermanas-benitez-todos-sus-exitos-en.html

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Wo Yen gnougobine octubre 07, 2021

Ballaké Sissoko & Vincent Ségal - Chamber Music - 2009

The kora of the Malian Ballaké Sissoko and the cello of the Frenchman Vincent Ségal dialogue serenely and delightfully in Chamber Music, with songs by the guitarist and singer John Pizzarelli, the Cape Verdean singer and songwriter Mayra Andrade, the Brazilian Beatriz Azevedo, and the guitar duo and clarinet formed by the Brazilians Guinga and Paulo Sérgio Santos.

Recorded in three night sessions, at Salif Keita's studio in Bamako, in May 2009, the result is a little gem, the fruit of the complicity of two virtuosos. On the one hand, Ballaké Sissoko, experimenter of a fascinating instrument that transmits the culture of the West African peoples, who has already recorded with his teacher Toumani Diabaté New Ancient Strings (an album destined to become a kora classic), with the pianist Italian Ludovico Einaudi Diario Mali (2003), and with Rajery and Driss el Maloumi the fabulous 3rd (2008). On the other, VincentSégal, an excellent classically trained cellist, backed by a long curriculum as a collaborator and studio musician of multiple recordings (Sting, Cesaria Evora, Carlinhos Brown, Mayra Andrade…).

Thus, in Chamber Music it is shown that the union of north-south cultures is possible in an exercise of care, where the instruments appear clean and without additives, except that some other subtle percussion and splendid collaborations (the voice of Awa Sangho , Mahamadou Kamissoko's ngoni, Fassery Diabate's balafon, and Demba Camara's bolon and karignan). Africa in the form of absolutely captivating chamber music.