Peruchin Jr, su padre era cubano de jazz piano leyenda "Peruchin" sigue su camino de los padres simpatico y gran música. Pedro Jusiz-verdadero nombre, es una rareza en que él no juega el más habitual Tres de Puerto Rico ni Cautro, pero guitarra eléctrica! Él es un maestro. Jugar aquí con costars maravillosa y una sección de cuerda que melds hermosa música afro cubana con guitarra eléctrica de jazz arte. Este hombre es una bolsa de papas fritas, una lata de coque, y una barra de Snickers! Dig groovy este material, si te gusta la música latina-o aspiran a ser un maestro de la guitarra. ~B. London

Peruchín Jr. & The Cuban All Stars - Descarga dos (2002)

Temas:

01-Palermo Club

02-Son De La Loma

03-Capullito De Alelí

04-Delirio

05-Bilongo

06-Fantasía Triste

07-El Gordito

08-Como Fue

09-Decídete

10-Descargando

Musicos:

Pedro A. Jústiz "Peruchin Jr." -Guitarra

Orlando López "Cachaito" -Contrabajo

Hilario Durán -Piano

José Luis Quintana "Changuito" -Bongo

Arístides Soto "Tata Güines" -Congas

Amado Valdés "Amadito" -Timbal

Richard Egües -Flauta

Guillermo Pompa -Tres

Enrique Lázaga -Güiro & maracas

Richard Bona's ninth studio album, Heritage (2016), is dedicated to the Afro-Cuban tradition, those musics that traveled together with slaves from the west coast of the African continent to the Caribbean. A painfully vast number of African men and women who were uprooted from their villages, stripped of what little they had and forcibly taken to plantations in America to be exploited. Music was all they could carry and keep in the new lands.

Heritage is a kind of Cuban rhythms as delicious as they are rhythmic, lilting, enveloping, danceable and festive that follow one another. The multi-instrumentalist virtuoso is accompanied by Mandekan Cubano to produce a memorable album: Osmany Paredes (piano and keyboards, Cuba), Luisito Quintero (percussion, Venezuela), Rey Alejandre (trombone, Mexico), Dennis Hernández (trumpet, Cuba) and Roberto Quintero (percussion, Venezuela). An ensemble in which the montuno dialogues with East African jazz and folklore. Hence the name "Mandekan", ritual of ancestors under the influence of the Douala, Bambara and Mandingan languages. An outstanding work, which once again confirms Richard Bona's ability to assemble cultures and influences without losing an iota of his elegance and sophistication. 

01. Aka Lingala Tè

02. Bilongo

03. Matanga

04. Jokoh Jokoh

05. Cubaneando

06. Essèwè Ya Monique

07. Santa Clara con Montuno

08. Ngul Mekon

09. Muntula Moto

10. Eva

11. Kivu

12. Kwa Singa