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Mostrando entradas con la etiqueta mama. Mostrar todas las entradas
Mostrando entradas con la etiqueta mama. Mostrar todas las entradas
abril 03, 2022

Fatoumata Diawara - Fenfo

 


Fatoumata Diawara (Costa de Marfil, 1982) es una actriz y cantante maliense que fusiona el folk Wassoulou con jazz y soul, residente en Francia. Ha colaborado con cantantes maliense como Oumou Sangaré.


“Fenfo”, el segundo álbum de Fatoumata Diawara tras el debut “Fatou”, ha sido grabado en Mali, Burkina Faso, Barcelona y París, y en él confluyen una amplia gama de géneros africanos, antiguos y modernos. Ahora Diawara se encuentra de gira recorriendo Europa antes de viajar a Estados Unidos en abril, para luego volver de nuevo a Europa


1. Nan Bel

2. Bognan

3. Del Guel

4. Dibi Bo

5. Kanou Dan Ye

6. Koo Ko Ra

7. Mama

8. Nterini

9. Ou

10. Ya Na

11. Takamba

12. Don Do

13. Tan They 



Fuente: 

http://www.fatoumatadiawara.com/


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marzo 03, 2020

M - Lamomali - 2017

Matthieu Chédid, also known as –M-, is a French composer, singer, producer, photographer and guitarist of Egyptian and Lebanese roots, raised as one of the most important, respected and admired musicians in French-speaking countries.
Chédid discovered Mali thanks to his friendship with the pair of Malian singers Amadou & Mariam and, over the years, the African country became his muse. His sixth album (2017), musical bridge with Africa, was born from another friendship. MathieuChedid created and recorded this project entitled Lamomali (contraction of "l´âmeau Mali", the soul of Mali) with two Malian legends of the kora: ToumaniDiabaté and his son SidikiDiabaté. In addition, it has the participation of an authentic who is who of singers and instrumentalists from all over the African continent (for example, YoussouN'Dour, Amadou & Mariam or FatoumataDiawara) and also with great international names such as Santigold, Jain, Ibrahim Maalouf, Seu Jorge , PhillipeJaroussky and the French rapper and poet OxmoPuccino.

Lamomali is a generous invitation to discover the energy and light of Mali. A kaleidoscopic, cosmopolitan and foreign work to any generic label that can be put on it.

01. Manitoumani - M, SidikiDiabaté, FatoumataDiawara
02. Bal De Bamako – M, FatoumataDiawara, OxmoPuccino
03. Cet Air – M, FatoumataDiawara
04. Interlude
05. UneÂme – M, FatoumataDiawara
06. Le Bonheur – Philippe Jaroussky, KerfalaKanté
07. Solidarité – Santigold, -M-, Hiba Tawaji, Ibrahim Maalouf, Seu Jorge, Nekfeu, YoussouN´Dour, Sanjay Khan, Chacha
08. ToiMoi – M, FatoumataDiawara, Louis Chédid
09. L´Âme Au Mali – M, Amadou&Mariam, Jain
10. Mama – Mamani Keita, MoribaDiabaté
11. Koman Le Héros


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enero 05, 2020

Idir - La France des Couleurs...

Idir is the stage name of Hamid Cheriet, an Algerian singer-songwriter born in the Kabilia region in 1945. He is one of the greatest exponents of Amazigh folk music. In the early seventies he supported the beginning of the career of the young and controversial anti-Muslim singer Lounès Matoub (who would be killed by Muslim fans in 1998). In the mid-seventies he managed to popularize "A vava Inouva", a Cabilian song in the Berber language. In 1999, Idir recorded the album Identités, where Khalida Toumi, Karen Matheson, Manu Chao, Geoffrey Oryema, Brahim Izri, Thierry Titi Robin, Barbès National Orchestra, Dan Ar Braz, Maxime Le Forestier, Zebda and Gnawa Diffusion, collaborated others.

In 2007, in pleine campagne présidentielle française, Idir signed an album non politique mais républicain: La France des couleurs. L'album, «défend les couleurs de la France» comme aime à le répater l'artiste lui-même. Sur cet album, il invite la jeune génération à composer avec lui des chansons autour de ce thème qui lui est cher, l'identité. Named by artistes comme Akhenaton, Grand Corps Malade, Zaho et beaucoup d'autres posent ainsi textes, rage et sensitites aux côtés du tonton kabyle.

01. Je Viens de Là l'On M'Aime (04:00)
02. La France des Couleurs (03:23)
03. Ce Cœur Venu d'Ailleurs (03:44)
04. Marche Sur Jérusalem (04:13)
05. Lettre à Ma Fille (03:22)
06. Tout Ce Temps (02:45)
07. Africa Taferka (03:41)
08. Retour (03:04)
09. Interlude (00:17)
10. Ya Babba (03:50)
11. Mama (04:53)
12. Sous le Ciel de Marseille (03:41)
13. Afous (02:54)
14. Médailles en Chocolat (03:46)
15. A Mon Père (03:32)
16. Pèlerinage (03:20)
17. D'Où Je Viens (04:07)



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noviembre 29, 2019

Blick Bassy - Akö - 2015

The singer and songwriter Blick Bassy, ​​celebrated as "the new soul voice" of Cameroon, brings us his latest Akö production under the exquisite No Format! Label. An intimate and unique album that marks a new starting point in the career of this Cameroonian musician, based in France for a decade.
A work that talks about home and separation ... but the most important thing for him is the language in which he sings, mainly, on the album: Bassa. As he says "In Cameroon we have 260 different languages ​​and in a few years most of them will have disappeared. The language is still the link between us and our heritage ... if I do not speak Bassa, my grandfather cannot teach me what knows".

Blick Bassy grew up in a town called Mintaba in central Cameroon. His father built a church where his mother taught to play kora, while Bassy and his brothers sang. Bassy was nourished from childhood of the traditional culture of his country, transmitted mainly by his grandparents, while his parents connected him with the music of Brazil and the United States, through the work of Gilberto Gil or Nat "King" Cole, among others. This is the starting point of the miscegenation of his work.

Bassy began his career in Africa, drawing inspiration in parallel from the musical tradition of Cameroon, jazz and bossa nova. After winning several international awards, he settled in Paris, where he released his first individual album, Léman (2009). In 2011 he published Mushroom Calling, a history of the traditional mushroom rhythm and his trip to countries such as Senegal, Cape Verde or Brazil. Akö (2015) completes Bassy's discography and indicates new directions.

Akö is characterized by its tendency to introspection and a personal aesthetic, already present in Bassy's previous works, but led here to beautiful gestures in the form of tiny details. In his songs we find echoes of his cultural heritage and of the music he has been absorbing throughout his life. They are unclassifiable fragments, which defy any attempt at labeling.

The song of Bassy is developed with the evocations of the blues and a certain sound of New Orleans, with an African background. To this landscape are added forms such as the harmonica of Olivier Ker Ourio, the samples of Nicolas Repac, the cello of Clément Petit or the trombone of Fidel Fourneyron, textures that add to the intonations of Bassy in Bassa. Bassy not only uses the Bassa language as a differentiating element, connecting with its roots, but also as a way of assuming the song.

Blick Bassy has been consolidating a very personal musical proposal, which acquires strength and meaning from his experience in two continents, and that continues to expand, welcoming new aesthetics and new sound combinations. To not miss it.

Tracks list:
01. Aké
02. Kiki
03. Wap Do Wap
04. Lon
05. Tell Me
06. One Love
07. SJ
08. Mama
09. Ndjè Yèm
10. Moût
11. Ndjèl





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