This Is Kologo Power!
Various Artists
MR 16 LP 2016
Atamina - Ghana Problem (Mind Your Own)
In 2014 I played on the launching of King Ayisoba's V-CD "Kologo
Spirit" at the cultural center in Kumasi, Ghana. The event started at
three o'clock in the afternoon with a local children circus, then DJs and then
a drumming group from the North East Region of Ghana, the region where kologo
music is from. Around six the first kologo player entered the stage and the
open-air theatre was filled with about two-and-a-half thousand people, mostly
Frafra (the popular name for people from the North East Region and the name of
their language). Many kologo players followed that night, which went on until
three in the morning. I must have seen about twenty for sure. But backstage
there were more guys who didn't even make it to the stage but were playing
anyway, backstage, outside and around the scene. Ayuune Sule, Sambo, Stevo, Guy
One and of course King Ayisoba played, the audience was amazing, lots of people
entered the stage throwing money at the musicians, others came to dance, the
night was seriously on fire. It was one of the most amazing musical events I
have ever attended.
Ayuune Sule and King Ayisoba told me later there are more than
eighty-five kologo players already in and around Bolgatanga, the capital of the
North East Region. And two years later I was going to see more. In January 2016
King Ayisoba invited me to Ghana again to join in on his "Batakari
Festival" ("batakari" is the name of the traditional cloth many
of the kologo players wear). One night in Accra and one night in Bolgatanga and
I sure did hear and see many more kologo players and not only on those festival
nights. Also in the pito-bars ("pito" is a traditional drink based on
fermented millet), cafes, FM stations, houses and studios and at a traditional
funeral in Bongo (a village near Bolgatanga) I saw lots of amazing kologo
players.
The idea of making a compilation had been discussed on our European
tours already a few times. In the van we listen almost solely to kologo music
and there is no lack of great tracks. So together we started picking out the
tracks we really liked. There was one dogma: "no computer beats".
King Aysioba wants to show what is the real kologo power and that is made by,
as he calls it: "man power".
Most of the tracks are recorded in studios in Ghana. Some are sung in
Frafra, others in pidgin English. Some are with a live band and some are just
solo kologo and voice. But all songs represent a force and unveil a very strong
musical power. The connection between kologo music and (delta) blues has been
made more than once and that resemblance is not written on ice; the personal
and the social messages, the strong rhythms, the push that this instrument -
with only two strings spanned over a goatskin on a calabash - can give to
people to make sure they do not ignore the dance floor, all that makes it worth
the work and effort of making at least one kologo compilation.
So in January 2016, when meeting all the kologo players, I had the
chance to take pictures and do interviews with everybody. Which you find on the
insert. And you should know this is just a tip of the syncopating savannah iceberg,
but it's a good start I think.
Arnold de Boer, Amsterdam, March 2016.
01 King Ayisoba - Africa
02 Ayuune Sule - Who Knows Tomorrow
03 Agongo - I Am Suffering
04 Prince Buju - Afashee
05 Atimbila - I Have Something To Say
06 Atamina - Ghana Problem (Mind Your Own)
07 Amoru - Yaaba
08 Barnasko - Nsoh Yaaba
09 Asaa Naho - Home Witches
10 King Ayisoba – Nerba
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